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Monday, March 23, 2015

Some Dark Eldar: Recently Completed

Hey there Chaos lunatics. Old Man Chaos here and boy, has it been a crazy time to be Chaos in Warhammer 40K! You've got Codex Khorne Daemonkin, a brand-spakin' new Bloodthirster, and now the Adeptus Mechanicus is in the offing- a Dark Mechanicus perhaps can't be too far behind, am I right? Hahahahaha!

At any rate, I have yet to put my bad boy Bloodthirster together because I have a backlog of stuff I am trying to finish. I am currently working on a small-ish Harlequin force as allies to my Dark Eldar. But to get to them, I had to finish some of the aforementioned Dark Eldar. I also had some Khorne Bloodletters I have been working on for a couple of months (in between doing the gaming boards, etc). Yikes! So many models, so little time...

As it turns out, I made myself a promise- I would finish my DE and Harlequins BEFORE I get to the Bloodthirster. Though the Chaos side of me is crying out, I know if I do the Bloodthirster, I will forget the other stuff, thus making my backlog grow more! No, I resolved to finish some other stuff first, so I can take my time on the Greater Daemon of Khorne.

So, first up is some pics of the new Haemonculus (a Christmas gift from my friend Pete, along with a Succubus that I haven't gotten to yet). I really like this model- much better pose than the finecast ones (though I managed to do some minor conversion work to them). I did nothing to this one, though. IF I get another of the new plastic, I'll be sure to do some "extra" work to it.

I painted the Haemonculus to fit in more closely with my Wracks. Since each Haemonculus would look radically different from any other Haemonculus- why not, right? So I painted him with purple washes, to be a LITTLE closer to my Wracks- but not to close, since he is WAY above the lowly servants.

Speaking of, here are some of the new plastic Wracks. I must say, they are so damn close to the finecast sculpts that they are virtually indistinguishable (some of the details are different, and the slotterbase gives it away). They look great, and really have a mean, sick look to them. The hooks, blades, and vials make them look like demented torturers right out of Hellraiser. I love these models, and enjoyed painting them.

I made 9 of them (one was made into a gunner for the Covenite Venom). So, combined with my 10 Finecast, I have 19 total. Not quite enough for some of the Formations from the Haemonculus Covens book, but its a start- I can pull off a couple now...

I also finished a second Talos. I love the model except for one thing... I hate how the model just stops at its base. I know it is hovering, but it just looks foolish. I much prefer the tentacles as the base of the engine. It could be floating, but the tentacles are near the ground, ready to grab the victims. I also dislike the "spirit catcher" thingie for the Chronos, hence the Talos tail.

In friendly games, I can use him as either a Talos or Chronos, and it won't matter. This new one looks very similar to my other one, just with more tentacles. So if I say the two are in a squad they will be either or, so it'll be easy to keep track of. Again, I have a formation here- 1, 1, and 1 Haemonculus, if I choose to. I do need ONE more to have a full squad though (and two more if I try for the Corpsetheif Claw formation- yikes).

So, here is the whole thing- 1 Haemonculus, 9 Wracks, the Talos, and the Venom I finished a few months ago. Not too shabby, huh? I could have brought out my other Haemonculus stuff, but that stuff is older- maybe at some point I will show off all my Covenite forces in one pic...

Well, that's all for now. I will be completing some of my Harlequin stuff very soon. Then, its on to the Bloothirster. I'll let you know my progress as it goes. Hope you are all doing some cool modelling stuff!

Until next time...

Monday, March 2, 2015

Examining a Movie: The Black Hole

Hey there, foul inhabitants of the warp! Old Man Chaos here, very excited by the new Bloodthirster coming out this week- can't wait to get my mitts on him! But first I have to finish the 8 Billion projects I already have going... I have been going through a case of painters OCD, but I should be able to finish a few models fairly soon... At any rate, I said a few weeks ago that I wanted to write posts about things other than my main hobby, so here it is...

Examining a Movie: The Black Hole

The film The Black Hole was released by Disney in 1979. It was Disney's answer to Star Wars' big success (and Trek was having a big screen come back as well that year). However, when the film opened it bombed badly, and was an embarrassment to Disney. It fell into a strange obscurity thereafter- known by die-hard sci-fi fans, but ignored and unknown by everyone else. Even many of those sci-fi fans dislike the movie.

However, I feel this film needs to be re-evaluated on a number of levels. I think its bad reputation is not only NOT deserved, but unfair. This is not just nostalgia, though I did see the movie as a kid. I watched the movie recently with my wife, who had never seen it before. At the end, she said she liked it a great deal. She admitted it had flaws, but was an interesting movie. Now, my wife will tell me if she thinks a movie I get her to watch blows (she has reminded me about how much she hated Watchmen oh so often). She liked this movie, with no rose colored lenses of nostalgia.

I would like to discuss the movie in some categories. Forgive me if I jump around a bit...

Plot: I don't want to give spoliers at this point, so here is the set-up: The movie is set in the future- when is somewhat unclear. We have space travel, though it is risky, dangerous, and, frankly, arduous. We also have robots- they have "personality", but are they "living things" (one of the film's many ambiguities). The crew of the Palomino, led by Captain Dan Holland. Their mission is to explore and find "intelligent life". Without the crew saying so, it seems the universe is pretty empty indeed, and their mission has not been much of a success. At any rate, the Palomino encounters a Black Hole, more powerful than any recorded. They are nearly pulled in, but they escape due to the "aid" of another, almost ghostly ship. Upon scanning, the crew finds it is the USS Cygnus- a huge, behemoth, yet graceful and elegant, ship; one presumed lost in space. Holland and the crew decide to investigate.

On the Cygnus, they find only one man alive, Dr. Hans Reinhardt, commander of the vessel. Reinhardt explains that his ship had been damaged by meteors years ago, and that he had the crew abandon ship (he didn't leave the ship though; Captain is the last man on board deal, going down with the ship), and he didn't know what happened to them. He repaired the ship with the help of his robots. But rather than return home, he stayed in space, exploring the galaxy's mysteries. The one "challenge" that has eluded him is the Black Hole, and he is in the process of unravelling that one too. He is planning to go into the Black Hole, proving science (and his ego) can overcome anything, even the power of a Black Hole.

As the crew deal with Reinhardt, they notice three things. One, he is definitely on the "eccentric" side- is he crazy, or is just that he has been alone for so long that it has made him a bit weird? Two, the Palomino crew realize Reinhardt's story just isn't adding up, for reasons they can't explain. Third, they find that Reinhardt's robots are, well, threatening, to say the least, particularly Maximilian, Reinhardt's own special design. Holland and company have more questions than answers. Then, as the film goes on, Reinhardt begins to reveal his true motives and intentions, which have Holland's crew running for their lives, trying to escape the Cygnus, and the Black Hole. Can they escape? Will Reinhardt accomplish his plans? And just what is the true nature of these robots?

From here, I'm going to get into different aspects of the film. There will be spoilers, so if you don't want spoilage stop here and see the movie... If you haven't seen it, you really should...

 What Went "Wrong" in 1979 (and after): The movie was a box office disaster for Disney, and at first glance, you can see why. This is NOT Star Wars (or Trek). The Black Hole is a complicated movie, part Sci-fi actioner, part mystery, and a whole heaping dose of questioning morality. The film is slow at the beginning, with a hefty amount of exposition. Once the threat is revealed, the movie then kicks into gear, progressing quickly. However, the nature of the threat is rather "dark" and frankly, a little scary- kids certainly would be scared. It is a "dark" film- somber, with some disturbing questions about life in the universe. It does attempt some humor with VINCENT, the robot member of the Palomino, but it is minor at most. So, when sci-fi people went expecting a Disney Star Wars type of film, they got a bleak movie. So, it failed. Further, the film does break some of the basic rules of physics (even my wife snickered at some of the rather implausible space physics). That turned off serious sci-fans too.

But "Wrong" is actually (mostly) "Right": Disney should be respected for taking a risk. They could have made a simple Star Wars clone, but instead they opted for something very different. This wasn't a space epic, it was a morality play. Disney didn't take the easy way out, and it hurt them, though it didn't deserve it. The pacing isn't fully action packed, but it isn't really that type of movie. One needs to "get" that in order to appreciate the film. This movie is examining big ideas, and even uncomfortable ones. Further, though the science/physics are wonky, one must accept it as the price of admission. It might be a bit of a leap of faith, but if you can really suspend your disbelief, you might be able to ignore the "bad" science. If you can, it won't actually matter to the plot of the film.

Special Effects/Music: If there is one area that people can agree on this movie, even the haters, it is that the Special Effects are top notch. The two ships are very well detailed miniatures. The Palomino is a small, but trusty vessel, while the Cygnus is just sweeping and ornate, with a hint of both grandeur and menace. The various robots are mostly cool (some hate VINCENT and BOB, but I get what they were doing here- they are "friendly" robots, so they look "cute", unlike Reinhardt's creations). In particular, the robot Maximilian is just the stuff of absurd nightmare- he is painted devil-red, hulking, fast, but with an odd assortment of weapons.

The interior of the Cygnus is cavernous, but again brilliant and just larger than life- Gothic is a good word for it. Finally, there's the Black Hole itself- omnipresent, in space, always swirling, moving, destroying. The effect will stick with you, as does the entire production design. Plot aside, the LOOK is unique, and no sci-fi film has this look and feel. The score, by John Barry, is equally good- ominous, brooding, and on occasion rousing. The score adds to the feel of the film.

The Plot Thickens: Now, here I want to get into the "twists", turns, and themes. The film is about the human mind- Reinhardt's in particular, but in general as well. Reinhardt is mankind- looking to the stars, blessed by God with intellect. Humanity wants to solve the mysteries of the universe. The NEED to know is great. It may be arrogance that man THINKS he can control science and conquer all, and what happens to man if he does accomplish this?

This is where we find Reinhardt. A brilliant man who believes that "the ends justify the means". He will achieve what none have been able to. He will solve this last great mystery- what lies on the other side of the Black Hole. His genius will make it happen. Unfortunately, he will do ANYTHING to achieve his (noble?) goal. Morality, humanity, God... all irrelevant to Reinhardt's quest. Reinhardt believes that the other side of the Black Hole is a place why the concepts of right and wrong are gone, fundamental laws of nature do not apply, they vanish. And one could live forever there.

As it turns out, the Cygnus' original mission was to find new life- the government spent a fortune building the Cygnus, based on Reinhardt's own singular vision. After a good amount of time exploring space, Earth contacted the Cygnus and ordered Reinhardt to come back, his mission deemed a failure. That was something he could not tolerate, and he refused to obey. His crew mutinied, but he managed to put down the revolt using his "Sentry Robots". However, he was faced with a dilemma- the ship was too large to be run by one man with the rest of the crew locked in the brig. So, bending his intellect to the problem, Reinhardt came to a horrifying conclusion. He decided to lobotomize his crew- basically he destroyed their free will and "programmed" them to continue working on the ship as they had before. Now, they are mute, wraithlike. He dressed them in robes and masks so he wouldn't have to look at their faces- he thought of them as robots, without troubling his mind too much over what he had done. He then turned to his obsession- the Black Hole, without worrying about any one else's needs. He is Niche's "Superman"- nothing can stand in his way of achieving great feats.

Interestingly enough, NONE of his robots speak, not even his greatest creation, Maximilian. Free will troubles Reinhardt. This is why humanity cannot accomplish anything- free will is too troublesome. You need a singular vision- an iron will and steely determination. Get rid of free will, and the "great man" can do anything. Or so it seems to Reinhardt.

However, the film has more to say on that. Religion (or, perhaps, a spirituality) is a major theme in the film. BOB says that intelligent life is the MOST important thing in the universe, and Reinhardt disregards that basic, important rule. Reinhardt himself quotes the Bible at one point. One Palomino crew member, Dr. McCray, has minor ESP abilities (more a psychic spirituality and empathy than anything else, though she can mentally communicate with VINCENT. Is that a huh? Yes, it is odd, yet the theme of Spirituality covers this- VINCENT has free will and is therefore alive). One character calls what lies on the other side of the Black Hole the "mind of God". There is a religious quality at work here that many Space Sci-fi movies lack.

And just to be clear, the theme of religion dominates the film. Reinhardt expresses SOME slight guilt over his deeds, and he IMPLIES that Maximilian is responsible, as if the creation is in control of the creator. Could it be? Or is Reinhardt simply projecting his evil onto his robot? Is Maximilian the DEVIL (as he appears)? Or is he just a physical representation of Reinhardt's Id? The movie gives no answers here. Is there a devil, or are we evil all by ourselves?

The end of the movie just adds to the Spiritualism. The Cygnus is struck by meteors (irony or karma?), and drifts into the Black Hole, breaking apart. Reinhardt has a smaller probe ship, and he intends to fly it into the Black Hole. However, his command center collapses, and he is stuck in the wreckage, surrounded by his lobotomized crew who, thanks to his evil handiwork, can only focus on their tasks running the ship, and thus pay no heed to his cries of pain. Maximilian ignores Reinhardt as well, following his last order to prepare the probe ship. Is Maximilian the devil leaving his pawn Reinhardt behind and discarded, or is the robot simply following its master's last order?

In the end, the surviving Palomino crew members destroy Maximilian and board the probe ship, with no choice but to fly into the Black Hole. Time, space, and matter begin to distort, as the ship plummets faster and faster down the Black Hole. In McCray's (psychic) mind's eye, we then see something bizarre, yet fitting. We see Reinhardt spinning in infinity- alive? How can this be? What the...? His hair has grown long, his beard immense. How long has he been there? Then, when it looks like he will be there forever alone- he sees Maximilian. He grabs hold of his wicked robot. Then, with a quick camera pan, Reinhardt's eyes are WITHIN Maximilian's red visor. Reinhardt is INSIDE his creation, his eyes frantically looking about in abject horror. The robot is then stuck on a rock, immobile, looking down on a field of fire, with the lobotomized crew standing by. It is a rather creepy image, and it just begs the question- is this hell? Is this Reinhardt's punishment for his disregard for morality? And the crew? Did he not only strip away their free will, but also their very souls? Are they damned as well? Intriguing, and uncomfortable.

But then, the hellish scene gives way to a bright corridor, through which a robed figure glides through- Jesus? God? The Human Spirit? With a flash, and without word, the probe ship comes out of the other side of the Black Hole. Ahead of the ship is a planet, bathed in white light. Heaven? Sanctuary? Just an alien world? The film ends here, leaving you to ponder their fate.

Whoa, That Is Weird: Yes, the film is certainly an oddity. And I love it for that. It has big ideas, and isn't afraid to make you think about the darker side of human nature and the technology we have created. The film is anchored by Maximilian Schell and Robert Forster. Schell gives a great performance as Reinhardt. His German accent adds to the character (and the Niche threads). But, he is larger than life, full of grand thoughts and gestures. But he is also warped beyond all repair- knowing the evil he has done, but believing the evil was for a greater goal. The actor evokes awe, sympathy, and disgust in equal measures- which is no small feat.

 Robert Forster, on the other hand, is in many ways the opposite of Reinhardt. He is neither brilliant nor grand. He is, in some respects, an everyman. He is captain, and his responsibility to to protect the lives of his crew. He does have an innate, quiet decency, even when it comes to the robots VINCENT and old BOB, which Reinhardt lacks entirely. It is certainly the less flashy role, but works as a good contrast to the antagonist.  The other cast members are good as well, particularly Anthony Perkins, whose Dr. Durrant admires Reinhardt's brilliance and finds it hard to believe that genius has led to insanity.

This may be the strangest movie review I have written, but it is also a strange movie, so I guess it is fitting. I think any sci-fi fan owes it to themselves to check this film out (Disney, you need to make a special edition on Blu-ray, immediately). You need to put it into the context of the time in which it was made, as well as being able to have a stronger suspension of disbelief than you are used to. If you can do those things, you should watch this film. It is visually interesting, has a good cast, and does make you think.    interestingly, Interstellar recently had somewhat similar questions about Black Holes and human nature, though that film is FAR more upbeat, optimistic, and positive than this older movie.

I give this film 3 out of 4 Marks of Chaos. If you're a space / sci-fi fan, you may want to check this out. 

Until next time!!

Friday, February 27, 2015

In Memoriam

I'm going to skip my usual intro this time around. Word has just come out that Leonard Nimoy has passed away at age 83. As a lifelong Trek fan, this was sad, though not unsurprising news. Nimoy had been ill with COPD for a while, and had been hospitalized this week as a result. At age 83, I think that he had indeed lived long and prospered.

I grew up watching Trek. It was on re-runs on WPIX 11, and my parents, who had both enjoyed the show when it first aired, got me and my brother watching it at a young age. At that impressionable age, I didn't get the bigger concepts or anything- but I liked the sci-fi action and humor. And yes, at that age I thought Spock was the best- later in life, I came to feel that McCoy is the best acted character, but that's another story. I watched The Motion Picture on Videodisc as a child (as well as some episodes on that format), though Wrath of Khan was too scary for me... but I vividly remember seeing Trek III in the theater.

Trek has always been a part of my life, getting me into science fiction books, movies, etc. Nimoy's acting, thoughtfulness, and voice were just such a huge part of that. His manner, his presence, his raising of the eyebrow... He just WAS Spock, you believed that this man was a Vulcan, totally and absolutely. Star Trek would never have worked without him- he was the indeed the heart (ironic for a logical Vulcan). After all, it was his alien nature combined with his humanity that made him compelling. Kirk is a great leader and Shatner IS Kirk, but the captain is not "compelling". McCoy is compelling, but in a different way- he's the "average Joe" in space- fearing transporters and all that high tech stuff- he is us in the 23rd century. But Spock is what Trek really is about--- learning and discovering the unknown, and accepting it, even if it is different from what you are used to. Nimoy made that happen, and without him, there would be no Trek.

I rated all 6 classic Trek movies on this blog. I just re-read them (I wrote them a few years ago and hadn't looked at them since). When I rated them, I was rating them as compared to the other Trek movies.  I believe that all Trek movies (even the maligned V) are great, fun movies, so bump up each rating by one, if you want know how they would REALLY compare to other films in general.

In case you are interested here are some links:  TMP   TWOK     TSFS    TVH     TFF     TUC  

My favorite episodes with Nimoy, in no particular order:

Journey to Babel
Tholian Web
Mirror, Mirror
Amok Time
Errand of Mercy
Doomsday Machine

It is sad, and it has been like a kick in the stomach for me, as I know it has been for any Trek fan. I'm recalling his final lines in ST II- he always has been, and always shall be, our friend.... I know that I, for one, will be watching some of the old Treks tonight, in his memory.

Until next time...

Tuesday, February 17, 2015

A Nerd Confessional

Hey there everybody! Old Man Chaos is here with another posting from the Eye of Terror. This one is, I think, a bit unusual, but it is something I'd like to do more frequently (when I have the time, that is). So, away we go...

I am, as my wife says, a Nerd. There. I said it. I am a very large nerd. I have been involved with many nerd activities. Warhammer 40K? That makes me Nerd #1, for sure. But, there's more. I love video games. I have been playing video games since the Atari 2600. I was playing video games before they were "cool" (which did not happen till Playstation One in 1995- before that, people played games, but they weren't widespread or a BIG part of culture till then). I owned so many game systems (NES, SNES, Genesis, Sega CD, Turbografix, and much much more).

Does anyone recognize this one?

As I kid, I saw my world through video games. I loved Mario, Zelda, Metroid, Final Fantasy, Sonic, Castlevania, Mega Man, etc. I was skilled at video games (I had no skills in traditional sports), and they transported me to so many places. Sad, but nerd true, I have video game music on my ipod. To this day, I play games.

Nostalgia for the 8 and 16 bit days aside, I believe the pinnacle for gaming was the XBox 360 and Wii days of the mid 2000s. Those were a great few years to be a gamer- the games that came out then were simply amazing- Mass Effect, Fallout, Bioshock, Mario Galaxy, Twilight Princess, House of the Dead Overkill... plus xbox arcade and virtual console... wow. I must admit, my gaming has slowed down since I got married, but I do own a Wii U (Mario Kart is just fantastic multi-player fun), and I would like to get an XBox One at some point.

I was also, for a very long time, a comic book addict (I think 40K supplanted it, ultimately)- I got into comics in 1989 when I saw the movie Batman- which inspired me to buy a few Batman books, including the trade of A Death in the Family. I started with Bats, but I went to Spiderman, X-Men, and others. I was going comic book shopping once a week, buying tons of issues.

I was there for the comic book explosion and ultimate implosion in the 90s. I had like a billion X-Force 1 bagged, of course. I was there for Death of Superman, and more importantly for me, Knightfall (still a fav). I was there for Morrison's incredible (and unsurpassed) JLA run (that was in college for me by that point). On the Marvel side, my favs were Age of Apocalypse and Infinity Gauntlet. But, I was also there for the messes, like the Clone Saga and Onslaught.

I stopped in 1999/2000 for the most part, as I simply couldn't keep up with all the crossovers and "events" anymore. Ugh. That killed it for me. I briefly returned in 2005 (Thanks to Bats again, as Batman Begins made me go back), just in time for Grant Morrison start his Batman run (which I never finished), and I picked up Civil War. After that, too many damn crossovers reminded me why I stopped, and so I quit cold turkey. Now, I once in a while buy a trade or something. I recently got the Infinity Gauntlet Omnibus- what a pleasure to read. Of course, I use the Internet to monitor major comic developments (Thor is a woman? Puh-lease- Publicity stunt.), but I don't buy anymore. I do still love comic movies, of course.

Speaking of, my third "Nerd love" is movies. I think film is a powerful medium if used correctly. I don't see every movie. Many would bore me or just be unappealing. The movies that I love are sci-fi. Well-done horror* films. Comic movies. Tarantino (he's his own mixed up genre). My love of movies come from my parents, who loved watching movies in their down time.

Growing up when I did (1980s), my parents exposed me to "classics". Star Wars (saw Jedi in the theater). Star Trek (Trek III being the first Trek I saw in theaters). Alien. The Godfather (my Italian father's Bible). The Black Hole. Jaws. Young Frankenstein. My mother took me to see Ghostbusters and Monster Squad. I also saw older sci-fi, like Invasion of the Body Snatchers (1950s), War of the Worlds (1950s), Godzilla (the FIRST one, thank you). My mother loved classic horror- I saw Dracula with Legosi, Frankenstein, Invisible Man, all those Universals.

My passion for good movies has continued, almost undiminished. On my own, I "found" other films. For a while I was into seriously into horror- but again, the classics- Texas Chainsaw, Evil Dead, Halloween 1-3 (yes, 3), and Romero's Dead trilogy. I was always into sci-fi, of course- I didn't get to Terminator until I was in high school though. I liked Jurassic Park but didn't love it for some reason. Independence Day- now that was a movie! I also got into action films, like Die Hard. In college, I saw a ton of history-related films- Patton, Dr. Strangelove, The Great Dictator, Saving Private Ryan, etc. In the 2000s, we had a great run- Lord of the Rings (which were a revelation), Nolan's Batman (similarly, a revolution in comic films), solid sci-fi like Children of Men and the War of the Worlds remake.

I have seen many movies with my wife- we do date nights by going out to dinner and a movie. Sometimes we see what she wants (Twilight. Yes- love makes you do strange things). Sometimes its what I want (Watchmen). My wife loves the Marvel films (she loved GotG), so that's great news for me. We see Oscar bait in the winter (like American Hustle, which was excellent). Most recently, we saw American Sniper- a fantastic anti-war film masquerading as a gung-ho war film (idiots on BOTH sides are having knee-jerk reactions without really "seeing" the movie). We are totally looking forward to Avengers 2 this summer, and the new Star Wars, naturally.

So- what was this article, anyways? An exercise in nostalgia? Hoping to just get readers thinking about their own nerd experiences? Putting readers to sleep? Maybe all of the above. This site, Corners of Chaos, will always be Warhammer 40K focused, but I would like to do other things. Perhaps reviews of some of my favorite movies or classic comic stories. So, this was my first step- and I hope that I will be able to do more on this blog... Or just go back to 40K, as my next project beckons to me... Harlequins are certainly tempting me...

Until Next Time...