Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts

Monday, July 23, 2018

In (Partial) Defense of The Last Jedi

Hello once again Chaos fanatics. Welcome back to another red hot edition of Chaos Corner. Sadly, I have no new 40K models for show today (and probably not for a while yet). So I have decided to do a bit of a rhetorical exercise, a "partial" defense of Star Wars The Last Jedi (TLJ). So away we go...



When my wife and I saw TLJ last December, my initial feelings could best be described as "underwhelmed". Not quite disappointed, but certainly not as thrilled as I was when I walked out of The Force Awakens. My wife and I saw it again and I appreciated it more, but the flaws of the film bugged me more as well.

There are some things about TLJ that are pretty bad. The Canto Bight thing is totally shoe-horned in there, at the expense of pacing, but worse, at the expense of ALL logic (if Finn's ship could go to hyperspace to GET TO that casino planet, why couldn't Leia and the others escape like that, or each ship goes to a different destination so Hux can't follow/trace them all, etc.). Sadly, Finn and Rose are wasted on this rather boring subplot. Furthermore, while I liked Poe's growth (what it means to truly lead), it came at a silly cost (why didn't Holdo just tell everyone the plan? This plot point would have worked better if they found out there was a spy aboard or something to make Holdo keep tight lipped about it, whilst making Poe paranoid and rash). I was thrilled to know that Leia could use the force, but floating through space was a bit much (and the effects looked too much like a similar scene in Guardians of the Galaxy Vol. 1 for my tastes). Truth be told, Carrie Fisher's performance is one of the highlights of TLJ ("Dead heroes, but no leaders"), however her floating scene just doesn't sit right with me even now.



Despite those flaws, there are 3 huge positives- Kylo Ren, Ray, and of course, Luke himself.

Let's start with Rey. Some call her a "Mary Sue" for wielding the Force like a pro with absolutely zero training. I would agree, EXCEPT Luke did the same thing in ANH. What? Let's be honest, he knew Obi Wan for like 5 minutes but was suddenly able to use the Force to guide the shot blowing up the Death Star. Later, he trains with Yoda for like a week or something- hardly a lengthy curriculum. So there's that. Hence I discount "Mary Sue" when it comes to Rey.

Despite that debate, what I found compelling about Rey this time out is her search for "her place" (just as Kylo Ren is also seeking his place, more on that later). She is looking to Luke to help her find her place, who she is, why she can do what she can do, etc. Sadly, Luke has no answers for her. Now, this is where the filmmakers pull a doozy- Rey isn't a Skywalker. Or a Kenobi (stupid fan theory). Or anyone in particular. She is a nobody, coming from poor deadbeat parents from Jakku. This does two things: first, you don't have to be a Skywalker to wield the Force; second, its a great contrast to Kylo Ren, who was born in privilege (a Skywalker, son of the Rebellion's greatest heroes, etc). She has nothing but is intrinsically good, whilst he is born with everything and is simply bad. The fact that she is a nobody makes her relatable, and while it is a little sad, it is very realistic (after all, the characters cant all be related, right? Its a bigger galaxy than that). This is one thing I hope they don't "undo" for Episode 9.


Then there's Kylo Ren's equally complicated story arc. Kylo Ren starts the film being chastised and belittled by Snoke- Ren is told that he is "just a child in a mask", hardly the next Darth Vader. Thus, Ren begins to question all that he has done. He destroys his own mask in a fit of impotent rage, and it is clear he is filled with anger, and a lot of doubt (Snoke calling Hux a rabid "cur" certainly applies equally to Ren, and he knows it). Have all of his decisions led him to this? Surely he must be greater than this?

In Ren's next scene, when he is flying toward Leia's ship, he hesitates to shoot the bridge, knowing his mother is on board; again he doubts, just as he felt doubt in killing his father Han Solo. When the other First Order ship blows up the bridge instead, to Ren, Leia is dead. I think that several critics missed that idea- HE thinks Leia is dead, and thus his past is just about dead as well. It is time for him to bury the past (even though he will always be obsessed with it) and forge his own path to greatness. There is nothing- no love, no sentimentality- to hold him back.



Even though a lot of people complain about it, Ren's murder of Snoke fits Ren's arc perfectly. He must get out from under Snoke's shadow, and in doing so does something that even Vader could not do- he becomes the head of his new Empire (or whatever you want to call the First Order at this point). Thus Ren has surpassed the past, even as he claimed to "kill" it. Ren is now the number one threat to the galaxy, his greatness fully achieved. All he must do is get rid of the stragglers of the Resistance (he thinks his mother is dead, so he will feel no hesitation) and he will have achieved it all.

But, his anger and his (continued) obsession with the past blinds him when Luke confronts him. Ren lets his rage blind him to what Luke is doing (more on that in a bit). When that "confrontation" is over, Ren heads inside the old rebel base and finds- Han Solo's dice (another Force projection). Again, something that I bet a lot of viewers miss- by seeing those dice, Ren must surely realize that his mother was there, still alive! Imagine how he must be reeling knowing that he just missed his mother, that his past isn't as dead as he thought. (Sadly, the audience knew that Carrie Fisher died and the Ren/Leia confrontation will never happen. But think about it as if that wasn't the case... )



Finally, this brings us to Luke Skywalker himself. After RotJ, one would have expected everyone to have a happy ending. However, TFA shows that there is still no peace in the galaxy. None of our characters had a "happily ever after". What makes everyone think Luke would have? Whatever happened, he blamed himself and left everything behind. That was all we knew from TFA. We find out, more than we bargained for, in TLJ.

People have had enormous problems with Luke's behavior. First, some have said he was made cowardly by going away and hiding. I don't think I need to remind anyone that Obi Wan and Yoda both went into hiding, waiting for years before getting involved again. Luke is just following a Jedi tradition, if you will. I have no issue here.

Luke is obviously reluctant to jump in again, and tells Rey to "go away". His argument is VERY logical- would he jump out with his "laser sword" and fight the whole First Army war machine singlehandedly whilst blindfolded and jumping through the air? It is unrealistic for many reasons. But, as Luke's story unfolds, there are other, more personal reasons to not get involved.

Luke has many reasons to doubt the Jedi, his father, and himself in terms of their galactic legacy. He makes the case that the prequels tried to make (but couldn't quite figure out how)- that the Jedi, whatever their intentions, had become part of the problem. Subsequently, they have become romanticized figures, but Luke, knowing the truth of it, feels they are not nearly so worthy of veneration. "Failure" is their legacy, Luke says. Is he really wrong?

Finally, the issue that has divided the fanbase ever since- Luke's reaction to the growing power of Ben Solo. During his time training with Ben, Luke feels the darkness stirring within the young man, and, for the briefest of moments, contemplates killing him. I think it is akin to killing a young Hitler- do you kill an innocent child for the evil he may do one day? Luke can see that his nephew is enamored by tales of GrandpaVader (never thought I'd write that), and that he will travel down that path, ruining everything Luke and Leia accomplished. Who could stand aside and LET that happen? Surely such a scenario is a trap of the Dark Side of the force.

He is TEMPTED, but doesn't succumb to that trap. To those fans who say this is a poor way to handle Luke, I have two responses. First, Luke was sorely tempted to kill Vader in ROTJ. Look at the end battle of ROTJ- Luke is enraged, and violently hacks his father's hand off. Luke is certainly about to perform the death blow, but stops just short of the abyss. He will not do this- he will not murder. His actions toward Ben are similar. He is tempted, but doesn't commit the act- thus Luke is certainly consistant. Second, some say that he resisted the Dark Side in ROTJ, and thus shouldn't be so tempted again. Says who? Who said that its a one and done thing? Sure, Luke passed the test in ROTJ. But the future? The future is always in question. Temptation can rear its ugly head again, and no one, not even Luke, is a saint, forever perfect. Luke was tempted, didn't fall into it, but the damage was done. Or was Ben going to go bad no matter what, and this was just the convenient nudge? Truthfully it doesn't matter. Luke blames himself, rightly or wrongly, and runs away from everything.



Now here is what I consider the best part. Luke now realizes that he must learn from his failure and come back to the galaxy. But Luke has sworn to never wield a Lightsaber again. But Leia, the Resistance, and indeed "all hope" is about to be extinguished by Kylo Ren. Luke does something we have never seen a Jedi do- a realistic force projection of himself to Crait and the battlefield. Now, we have never seen a Jedi do that before- such is Luke's power. But the best part of this is- he doesn't actually fight. He turns Ren's rage against him, buying time for the Resistance to escape. Luke does this without bloodshed, without anger. In my opinion, Luke knows this will cost him his life, but the cause is the right one. Luke will save his sister, he will save "hope". Indeed, Luke's "fighting without fighting" is an action that FEELS so true to the Jedi principles, more true than any previous Jedi action in any of the films. Luke is using the force for "defense", not attack. Luke tricks the Dark Side, and saves the light without anger or violence. Luke's explanation to Ren gives me chills whenever I watch it "The rebellion is reborn today. The war is just beginning. And I will not be the last Jedi". Powerful stuff in my opinion.


There are many problems with TLJ. Pacing is a problem. The Canto Bight subplot is a problem. Some of the humor is a problem. However, I would argue that the main through line of Luke, Leia, Kylo Ren, and Rey is strong, worthy of the best of the Star Wars films. The trick is sifting through the weak stuff to get to the good stuff. In that way its like the Prequels, but unpredictable. I do not know where TLJ will ultimately fall in the pantheon of Star Wars. There is a lot of hate for it right now (some legitimate criticism, some just crazy). But there are defenders of it as well. Only time will tell, depending on how Episode 9 deals with this. Some hope that Ep 9 will reverse all of the big things that happened in Ep 8. I HOPE they double down- Rey is a nobody, Snoke is DEAD, Kylo Ren is the new Emperor, etc. Let this stuff have the opportunity to stick. It is worthwhile, and if Ep 9 can keep this while adding to it, this "sequel trilogy" will be successful.

PS- Carrie Fisher's untimely death certainly impacted how people viewed TLJ. IF she lived to be in Ep 9- the climax to 8 would be stronger in that Luke saves Leia for a future "confrontation" with her son. But, in real life we know she won't be in Ep 9, making Luke's act seem almost futile. Something to ponder...

Until next time...


Thursday, December 24, 2015

Star Wars: The Force Awakens

So, I went this weekend (along with a 1/3 of the world's population apparently) to see Star Wars: The Force Awakens. I am a huge Star Wars fan, but I approached this with some trepidation. I "like" the prequels in theory, but not in execution. There are great ideas behind the prequels, such as a "manufactured" war, the decay that set into the Old Republic, the Sith's machinations, the Balance of the Force, etc. Unfortunately, they were not well realized on screen. The prequels suffered from poor writing, lack of drama or tension, virtually no (funny) humor, basically all the things that the OT had. And there was the opposite dilemma- there was NO WAY the new movie could live up to the OT. Anyone thinking this film could even come close to those heights were fools. I certainly wouldn't be. I was excited, but guarded.


So- I don't want to do a piece by piece review just now. I will say that the movie is an absolute blast. It is a ton of fun to watch- it gets SO much right that it is in fact a miracle. The actors, the special effects, the humor, the uncertainty (missing from the Prequels by their very nature), the energy- all of it is here. This is the sequel you have been waiting for in so many ways. Now- it is not perfect. It makes a few missteps, and it tries to "copy" parts of A New Hope a bit too much- and yet, despite the flaws, I feel the film works beyond all measure. You, of course, need to see the film for yourself if you are a Star Wars fan. I know at least one fan who disliked it, but just about everyone I have spoken with since have had nothing but enthusiastic praise for it- and some of these guys and gals despised the prequels and had pretty much sworn off Star Wars. Rating this, I'd give it 4 Marks of Chaos- flaws and all. After all- how do you measure "perfection"? If in film a measure is enjoying a movie then I enjoyed the hell out of this, hence the 4 Marks of Chaos. 

In this post I want to discuss a few issues and ideas that I have been mashing around in my head. However, these naturally involve a TON of spoilers. So- I will leave a gap so scroll on down. Go see the damn movie then come back- I ain't going nowhere.

Spoliers...

Spoliers...

Spoliers...

Spoliers...

Spoliers...

Spoliers...

Spoliers...

Spoliers...

I said Spoilers, damn it!!

Spoliers...

Spoliers...

Spoliers...

Spoliers...

Spoliers...

Spoliers...

Final Spoiler Warning!! Beware.


A Start of a New Legend / Trilogy / Adventure

My friend and I  were debating the film after seeing it- he disliked it a great deal while I loved it (as did my wife). One of his chief complaints was that there were so many questions, so many things not explained, that it frustrated him. Immensely. What is the difference between the Republic and the Resistance? What happened between Han and Leia? Who the hell is Snoke? Why does Ren hate Solo so bad? What's Rey's deal? Brian argued that the film left so many things open that he felt it was incomplete and poorly done.



I believe that this "mystery" quality is essential to Star Wars. Look at the OT- they didn't give you EVERY SINGLE DETAIL. The story developed, with twists and turns, over 3 films! They didn't tell you EVERYTHING in A New Hope! Hell, they don't even mention Yoda! Yoda!! Let that sink in for a second... A New Hope left a ton of things open. You had to... dear lord... use your imagination. Like a book, YOU filled in the blanks- conjecture, rumor, friends arguing "what do you think Vader looks like" or "Why is Chewie with Han"... ANH lets you romp around in this universe in the midst of these events. It just goes full ahead- it doesn't spoon feed you all this micro (or even marco) details. I mean- listen to Kenobi "explain" who Vader is in ANH- its so brief and lacking all detail, and yet it works to get you interested.

The Force Awakens gets this. The Prequels tried to "explain" everything- Anakin's fall, the Emperor's ascension, the destruction of the Jedi, Trade Federations, etc. But the prequels went overboard on this- trade deals and taxes and a magical clone army that no one questions... But TFA doesn't fall for that trap. Like the OT, it drops you in the middle of the action- the opening crawl tells you all you need to know (compare TFA crawl with TPM- you can see the difference). The details- the background- are left open to YOUR imagination. That is a huge part of the fun.

But the lack of certain details also gives the next films latitude to maneuver. After all, you didn't learn that Vader was Luke's father till ESB. You didn't learn the identity of "another" till ROTJ. Characters like Han and Leia developed over the trilogy. ANH didn't lay all the cards on the table, and neither should TFA. They were wise in this instance- the mystery and blanks MAKE me want to know more. And that is essential to enjoying Star Wars.


Rey's Quick Guide to the Force

One of the criticisms I keep hearing is that Rey was able to use the Force way too quickly. At first I agreed with that, but then I paused a bit. I had to "unlearn" what I had learned- mostly from the Prequels. In those, it took YEARS to train Jedi in the Force. The Jedi believed in training infants- so that they could be brought up without attachment or other problems. It took decades for a child to become a Jedi.


But... that IS NOT what it was in the OT. Indeed, look at the facts. In ANH Luke meets Obi Wan. They talk about the Force. Obi Wan lets Luke use a lightsaber on a practice drone for 5 minutes. Before you know it, Luke is turning off his targeting computer and using the Force to guide his hand in destroying the Death Star. How long did he study with Obi Wan? A day or two? By ESB, some time has passed (but not THAT much), and you see Luke's skills are getting stronger (he pulls the lightsaber to him), without ANY training from Obi Wan- he has an intuitive feel for the Force (or, perhaps, it has "chosen" him). In ESB he trains with Yoda- but again, for how long? Even if you want to say the Falcon hid in the asteroid field for a week- or even a month (pushing it, but still)- that means Luke was training with Yoda for a short time as well. And yet, by ROTJ, Yoda says that Luke "knows that which" he needs... and surely Luke does things in Jabba's that Yoda didn't teach him.

In other words, one needs to forget the prequels a little bit. Luke, already older, learned things quite quickly. So Rey- similarly chosen by the Force- is able to wield it quickly as well. Now- I suspect Rey is either Luke or Leia's child, and hence is naturally gifted with the Force (again, a mystery). The Force gave her the power necessary to defeat Kylo Ren, as it gave Luke the ability to destroy the Death Star. Using the OT as the guide, you can see that it is very possible.

Snoke Spoke?

Another of the issues that some have had is that Supreme Commander Snoke is a huge mystery that is NOT at all answered in the film. He is obviously a user of the Dark Side, as well as the leader of the First Order (new empire). He appears to be 50 feet tall and is one of the few CGI characters in the film.


Now- who is he? Snoke is portrayed via motion capture by Andy Serkis- right there you should have some confidence. He is quite nasty sounding as he growls orders to his flunkies, such as General Hux. He appears to be huge- but they show you quickly that it is a hologram. Just as Palpatine appeared huge to Vader in ESB, so too does Snoke look enormous. But it is only a hologram image.

But- who is he? The character is evil, but with no background. This is on purpose, as it will no doubt be explored in the next films- you don't get Andy Serkis just to do a throwaway guy. So- here is where we go theorizing- I believe Snoke is none other than Darth Plagueis the Wise. This Sith Lord is mentioned by Palpatine as he tries to lure Anakin to the Dark Side in Episode 3 (the best of the Prequels). According to Palpatine, Darth Plagueis found a way to "create life" and "keep those he cared about from dying"- basically, he could "cheat death". It is HEAVILY implied that Plagueis was Sidious' master, and Sidious murdered him to become the main Sith Lord. It is also implied that Sidious did not know ALL of Plagueis' secrets. Suppose- Plagueis is like Yoda/Obi Wan- they have found a way to merge with the force upon death, becoming the so called "force ghosts". Spirits. But- let's say Plagueis did something similar- but instead of being spiritual, his rebirth was corporeal. He cheated death- AND the natural order of things- as Sith are wont to do.


In film terms, who can possibly be a bigger threat than Emperor Palpatine? Answer- the Sith who TRAINED Palpatine. Where's the evidence? First, Ren's line that his master is "very wise" (Darth Plagueis the Wise is what Paplatine called him). Then, there is the music. It is VERY reminiscent of the music in the Opera Scene- where Paplatine talks of Plagueis. It is VERY similar in tone. It isn't the same, but damn its close. In a meta way- if he is Plagueis, one of the few things they are going to take from the Prequels- what better way than to present him as CGI? That last one may be a stretch, but the other factors are just screaming that this is the solution. Now- I bet you have a different theory. Isn't this speculating a huge part of the fun?

The Heart and Soul of The Force Awakens

Now, I want to get to the "nitty gritty". Forget the action. Forget Starkiller Base. Forget the politics. All Star Wars films are about individuals (not all are Skywalkers) being confronted by these galactic problems. These characters are forced to make decisions on what to do when faced with the Galactic Civil War. Luke, Han, Leia, Lando- they all make choices and these decisions impact them personally, but also with wider implications for others. This is what gives Star Wars its real punch- not the space ships, but the drama. The inter (and intra) personal conflict. This is where TFA succeeds the most.


Han Solo and Kylo Ren are the heart and soul of the film (one could argue Rey- but hang on to that for a bit). When we left Han Solo in ROTJ, he was a rebel hero ("respectable"), and it seemed that he and Leia would live happily ever after. However, when we see him in TFA, he is back to his rouge-ish ways, and he and Leia aren't together anymore. Some grumbled about that- but heck, that's life. It takes twists and turns we don't expect. Life gives us happiness and tragedy at random sometimes. Who can say that Han and Leia would be exempt from that? Indeed, TFA wisely makes Han and Leia more human as a result- they are not the fairy tale couple. It's not "wonderful",  but it is more real.

Now, they were always bouncing off each other in the best of times- there was friction in their relationship from the beginning. But- what really broke them up as tragedy; a crisis of incredible magnitude. Their son, Ben Solo- known to the galaxy as Kylo Ren- has fallen from the light and is now the dark warrior of the First Order.


The film handles this brilliantly. Rather than reveal it at the last minute a la ESB, they tell you, almost off-handedly, that Han is Ren's father (it seems that it was only a secret to the audience). They reveal this about 1/3 of the way into the film, give or take. This is a great decision. They are not cribbing ESB with a "climactic" revelation. Rather, they have introduced an element of ongoing dread and tension. Will Han and Kylo meet? What will happen? What will Han do? The revelation early on allows it to breathe and permeate the whole film.

They make it clear that Ren was being taught by Luke, but was seduced to the Dark Side by Snoke. The details are sketchy, but I guess Snoke appealed to Ren's desire for "glory" (such as his grandfather had achieved). As a result, Ren turned, and did bad things- killing Luke's other students it seems. Han and Leia make it clear- once this happened, Luke blamed himself and vanished. Leia and Han's relationship fractured, and they broke up. The fall of Ben Solo to the Dark Side broke up the "trinity" of Han, Leia, and Luke.  It certainly wrecked Han and Leia's relationship. Han suggests that whenever Leia sees Han, she thinks of their lost son. Take the natural friction between these two (they always had a tumultous relationship), and add this sad loss of a son to evil, and their relationship breaks down. Han leaves and goes back to smuggling, and Leia buries herself in her work as leader of the Resistance. Frankly, this is a very realistic response to such a tragic event, and I give the creative team props for handling it so well.

One of the questions that many have asked is "Why does Ren hate his father so much"? In this respect I think they have it wrong. It isn't that Ren hates his father, though he does make a snide remark to Rey about it not "living up" to expectations. I would wager that Han was probably a pretty "cool" dad, but not as "successful" as a parent. Could you imagine growing up the son of Leia and Han? Lol

But seriously, those looking for the answer to the "hate" question have it backwards. In fact, Ren LOVES his father. Indeed, THAT is the conflict for Ren. On the one hand, he wants power, glory- to live up to the Skywalker heritage. But for Ren, the only way to achieve that power and strength is to turn fully to the Dark Side. Yet- how can one give oneself to the Dark Side if there is still love in your heart?


No- Kylo Ren / Ben Solo kills his father BECAUSE Ren loves him still. Ren wants to purge himself of the last vestiges of light. The only way to do this is to kill Han. To toss him aside totally and utterly. Ren struggles with that- even Snoke mocks him for it. On the bridge, the anguish isn't a ploy- the tears are real. He loves his father, but wants to be stronger than anyone. To achieve that level of power, he must strike down Han. Only then will be one with the Dark Side. Indeed, it is very telling that, after Ren fails to kill Rey and is defeated, Snoke says he wants to finish Ren's training. Snoke couldn't FULLY indoctrinate Ren until the last vestiges of light were extinguished. Killing Han accomplished that. Kylo Ren, I suspect, will undergo Sith training and will become Darth Something Something by the end of the next film.

There are a few things I love about this, and to me make up for any shortcomings with the rest of the film. First, it is an inversion of the Luke/Vader dynamic. Luke won't kill Vader because he is his father. Ren WILL kill Han because, well, he is his father. The killing of Han will cast a shadow over the rest of this trilogy. We (the audience) loved Han. How can we forgive his killer? Kylo Ren's completed fall has more resonance than Anakin's in the prequels, because, frankly, we didn't care enough about any of them. Here, it is different. This should be fun and moving to watch play out. Who would want to redeem Ren now?! Is he irredimable? What will his psyche be like as he grows stronger with the Dark Side, knowing that the cost of his ascension was so high?

The best part is how to complete's Han and Leia's arc. In ANH, Han is a criminal. A smuggler with very grey morals. However, as the OT goes on, Leia (and Luke to an extant) show Han a better, more noble path. People sometimes complain that Han was "softer" by ROTJ, but I felt that was a product of him loving Leia and thus, making him want to be a better man. I suppose that after ROTJ he tried his best, though Leia's "royal" attitude didn't make it easy for him. But, once Ben goes bad, and Han and Leia's relationship breaks down irretrivably, Han leaves. He goes back to his smuggler ways. Time passes- then he gets the Falcon back with Rey and the others desprately needing his help. At first, he rejects them (he offers to put them in pods and send them to the nearest planet). Then he tries to get Maz to help- but she chides him for it. Han is reluctant to get involved again. However, that changes when he sees his son take Rey. At that point he feels bound to go back to Leia and help.

Talking with Leia, Han suggests that their son is too far gone; as Han says, Ben has "too much Vader in him". Han thinks its hopeless. But Leia rejects that, stating that there is still light within their son. Han demurs, saying that if Luke failed, how could he succeed? Leia replies "You're his FATHER". As Han prepares to leave, Leia asks (begs) him to return home with their son.


So- now the bridge scene. Han sees Ren walking- he seems not to realize Han is there (is he too focused on finding Rey?). Han could have slipped past him, or maybe even shot at him. Instead, Han calls him by his birth name (that made my blood run cold). Han tries to bring his son back to the light. When Ren asks for his father's help- Han, looking encouraged, says "Anything". Ren stabs him then, but Han doesn't yell or fight back-he simply touches his son's face.

The irony is that Han did what Leia would have wanted him to do, and he died for it. Perhaps his first instinct was correct- Ren is too far gone. Yet, he still loves Leia on some level (that they never kiss is a sure sign of that, actually), and he still loves his son. So he tries, and he fails. However, in a different view, Han is redeemed once again, leaving his rouge ways behind and trying to fight for his family and the galaxy. A fitting but sad end for Han Solo.


Conclusion

I could go on and on- there are so many things in this film that deserve examination- Finn's transition from drone to hero. Luke's activities. Rey's background. The film has brought new life to Star Wars. The best praise I could give is that it felt like the OT and I can't wait to see where it goes next. The Force Awakens is fun, energetic, and exciting, but with a heart and soul (which the Prequels and many many other big movies lack). It was just a blast from start to finish. I plan on seeing it again (and again) in the coming weeks.

Until Next Time...




Monday, December 14, 2015

Star Wars Mania- Can One "Defend" the Prequels?

Hey there. I know its been a long time. I haven't posted in quite a while. It has been a confluence of events that have conspired against it. Work. Fallout 4. Family stuff. It has just kept me away from the interwebs. I have been painting my 40K stuff, and soon I'll be taking pics and posting them.


For my return to the Chaos Corner, I thought I'd have a little fun with a little film series called Star Wars. You may have heard that a new Star Wars is about to be released in a few theaters (LOL). But in all seriousness, I was introduced to SW at a young age. I wasn't born in time for the first, but I keenly recall seeing Return of the Jedi in theaters. I naturally had all the Kenner toys, and I dreamed of being a Jedi like Luke Skywalker. Or, in my darker moments...

Like Star Trek, Star Wars has been a huge part of my childhood, and my life as a whole. My heroes were Han Solo. Indiana Jones. Kirk. Luke. Yoda. Batman. GI Joe. Ghostbusters. And others. This was MY childhood, and Star Wars was a tremendous part of that. My family watched all 3 on VHS religiously. I clearly remember, in my college years, the excitement when they released the special editions in theaters- it was my first opportunity to see all 3 on the big screen. I remember frantically playing the N64 Shadows of the Empire game. Then- the anticipation of the prequels. Cinescape magazine had an army of Boba Fetts on the cover (looking back, they weren't that far off). The trailer. Darth Maul. Oh my...

Sadly, we all know what happens next. The prequels were, let's say, LACKLUSTER. Understatement? Hahaha. It seemed that George Lucas went off the rails. The films were filled with wooden acting, some weak dialogue, a forced romance between leads that had ZERO chemistry. I could go on, but as I said- we all know what happened. The prequels have cast a pall over the Star Wars universe (and franchise). Can the new film dispel those clouds? Is it fair to even suggest that it can? Perhaps no movie can live up to that.

However, are there any redeeming parts of the prequels? Are they, perhaps, not as bad as originally thought? Or maybe there are elements of the prequels that transcend the weaknesses of the whole?
Ha. The prequels are a mixed bag indeed, and there are some redeeming features to the prequels. I thought I'd discuss them a little bit, in no particular order:


Qui-Gon Jinn- As played by Liam Neeson, Jedi master Qui-Gon Jinn is the very nearly ideal Jedi. He is exactly what you would expect (and want) them to be. Neeson belies Jinn's force powers with a warm, gentle personality. Neeson plays Jinn as an empathetic warrior. It is clear that Jinn cares about all life forms- big or small. In that respect he is like Yoda from ESB. Unlike Yoda though, Jinn showed the martial prowess of you would associate with a Jedi as well- a true guardian of the old republic. Neeson's performance is practically pitch perfect. He is the epitome of what you would like the Jedi to be.


For better or worse though, Lucas wanted to show the Jedi in the last stages of creeping decay. All of the Jedi come off as callous, aloof, uncaring at one point or another in the prequels. They basically have their heads up their asses. Even Yoda is neither wise nor particularly likable in much of the prequels because of this (though he and Obi-Wan do improve as the prequels wear on). While I get the idea of Lucas' intention, it made the Jedi practically unsympathetic. Lucas portrays them as a monastic order rather than knights, and it hurts.

I know I disagree with making Anakin a boy in TPM, but Neeson does a great job acting with the kid, never condescending or talking down to him, Neeson treats Anakin as he treats all others. Neeson also does well bouncing off McGregor's Obi-Wan. It would have been nice to see them on other adventures... but alas.

Throughout the prequels, Jinn was the only representative of what we all dreamed a Jedi would be. A hero who fought to protect the weak from the forces of evil. Someone with such power, but also very humane (and frankly, human). When he dies by Maul's hand, the pain is double. Plot-wise, you realize the Jedi and Anakin have lost something important and special. As a viewer of all 3 prequels, no Jedi will measure up to Jinn, and no actor will be as fantastic as Neeson.




Darth Sidious/Palpatine- If Jinn was the ideal hero, Palpatine was the perfect villain. By turns innocent, calculating, manipulative, honest, power-hungry, humble... The role required actor Ian McDiarmid to really run the gauntlet, and he does it very well- making what was a 2 dimensional bad guy in ROTJ into a malice-filled master villain that, ironically, you can't help but agree with (or perhaps slyly chuckle at) in the messy prequels.


In TPM, Ian McDiarmid plays the dual role to utter perfection. When he first appears as Darth Sidious, McDiarmid gives him just the right amount of evil- his voice and tone are not only perfect for the puppet master, he also makes damn sure that you KNOW he will be the Emperor- his manner is basically that of a younger Emperor from ROTJ. Later, when we meet him as Senator Palpatine, he seems perfectly proper and innocent.


Of course, so many of his lines have double meanings, and the actor just makes the most of it. McDiarmid nails the manipulation of the Queen to a tee. Forget Anakin- it is really Padme who gives him the literal keys to the galaxy with her "No Confidence" vote. His knowing look says it all.


While his role in Attack of the Clones is quite small (so he makes less of an impact due to the reduced role), he once again makes the most of the double meanings of his lines. However, it is in Revenge of the Sith that McDiarmid finally gets to let loose and chew all the scenery. At first Palpatine is just the brave Chancellor who is trying to save the Republic and a good friend to Anakin. But we know its a ruse, and little by little we see him twist the knife. His soliloquy in the Opera House is fantastic (what is true and what is a lie?)- the Jedi suck, they are powerless and selfish, unworthy of Anakin. His playing possum at a critical moment (the only scene where Sam Jackson's abilities are used properly).


By the time the Jedi are falling, McDiarmid really puts his foot on the gas and makes the new Emperor a cackling, homicidal maniac. But is this  only due to a flush of victory? Or is this what he truly is, freed of all masks and pretense? His battle with Yoda is one for the books, and McDiarmid's performance seals that deal too. He epitomizes evil for evils sake.



Order 66- the purge of the Jedi really should have happened in Episode 2, and it deserved time to be really developed. However, Lucas did give us an incredible montage of the Jedi being shot in the back by their erstwhile allies, the clone troopers. The montage shows several Jedi being taken out, some quite brutally.


The scene is too good for the prequels. It feels like it could have come out of the Godfather (the end "purges" in Godfather 1 and/or 2 are phenomenal and fitting climaxes). The music is mournful, the action is kept tight. There is no superfluous Dewbacks or Jar Jars. This is down and dirty political assassination. The purge is very well executed, worthy of ESB as a matter of fact. One wonders why Lucas could not have had that energy, emotion, and inventiveness throughout the prequels...



Lightsaber Battles- The Prequels really do blow the lid off of lightsaber duels and then some. Of course, everyone looks at the epic Maul / Jinn & Kenobi showdown. It is as epic as you can imagine, and stuntman/actor Ray Park is just legendary. The battle is frantic, hard hitting, and thrilling. The track "Duel of the Fates" just elevates the scene. The only problem is, since there is on history between the antagonists, the fight is just a fight. All other duels have an emotional core to them- the characters are connected in some way, making the duel MORE important. Here, it looks awesome, but is slightly hollow.


In Attack of the Clones, Yoda finally gets to show his skills in a battle against Darth Tyranus / Dooku. The new Sith is played by Christoper Lee-  a fantastic actor and in his day he fought a lot with swords on film; he was woefully underused by Lucas in the prequels. However, there is something thrilling in the tall and coldly proper Lee go against the whirling dervish that is Yoda. The scene had audiences on their feet in 2002. The duel had some emotional weight as it was revealed that Dooku was Jinn's teacher, and Yoda had taught Dooku! Wow- awesome stuff.


In Revenge of the Sith, the 2 duels at the end- Yoda vs. Sidious and Anakin vs Obi Wan are both fantastic, fitting climaxes. In the Senate Chamber, you can see Yoda's fear and frustration- how could the Jedi have not realized Palpatine was a Sith?!? And Palpatine- his plan has worked, he is king of all, he just has to defeat Yoda to take his crown. The battle is fantastic, with the Senate being crushed as both part of the action and as metaphor. Meanwhile, Anakin and Obi-Wan's battle in the midst of an inferno is also fitting, and there is plenty of blame, anger, and recrimination to go around. Obi-Wan winning at the end due to one of the most FUNDAMENTAL concepts in duelling is very proper- Anakin's power drunk attack showed that he lost something important (besides the battle), and he fell. Far. These fights provided a great way to end the sub-par prequels.


Conclusion- Unfortunately, the prequels never quite gel. It is frustrating, as Lucas does get some things right, but loses so much due to bad ideas and decisions. I personally enjoy the prequels, but I KNOW they are deeply flawed. Bad dialogue, humor that falls flat, bad acting, uneven special effects, etc. all combine to weaken the effort. Now, perhaps NOTHING could have lived up to expectations, but that doesn't account for it. I wish that Lucas had let someone else direct based on his ideas- such collaboration could have ameliorated the problems. Again, I can watch and enjoy the films, but they pale in comparison to the Original Trilogy. In the prequels, the Republic is a sham, the Jedi are arrogant fools, and Anakin is a whinny stalker. Now, I don't mind Lucas subverting expectations, but this just doesn't jibe with what he set up in the OT. That is the true nail through the coffin, as it were.


At any rate, we are less than a week away from The Force Awakens. I'll be seeing it Saturday evening with my wife, brother, and friends. I am keeping my expectations in check as much as I can. However, my hope is that it fits with the OT better than the Prequels did. Of course, if they are able to recapture the spirit of OT that would be perfect. And I still wonder if Snoke is Darth Plagueis? Lol

Until Next Time... May the Force Be With You.


Thursday, June 11, 2015

RIP Christopher Lee

Hello Chaos fanatics! I know I've been away a bit, but its my busy season at work and it has been virtually non-stop. I even haven't been able to paint as much either... However, I am putting the finishing touches on a few things and I'll be showing them soon (by middle of next week).


I was at work this morning when I saw the news on Facebook about the passing of legendary actor Christopher Lee. Geez- it's been a rough year for that, first Nimoy, now Lee. However, neither could have many complaints- both lived long and full lives and accomplished so much as actors. Both have certainly made indelible contributions to geekdom (or nerddom or whatever you want to call it).


Unlike Nimoy, who was typecast as Spock, Lee played a variety of roles; while most were of the villainous variety, each role was quite different. So he could go from playing a snarling Dracula to a suave James Bond villain to a Sith Lord, to a mad scientist, and, finally, a white wizard with ease- and while his distinctive voice was the same, his demeanor and acting differed greatly.


Just as an example, look at the last two huge characters he played- Saruman and Darth Tyranus. On paper, both are similar. They are both traitors to their orders, they are both "masters" of their arts, they have joined with a "dark lord", they plan to plunge their respective worlds into war- yes, they have many such similarities. Any actor playing both roles might be tempted to play them similarly, since they are indeed rather close. Lee, on the other hand, played both quite differently:


Lee's Saruman had a semi-crazed look in his eyes; it was almost as if communicating with Sauron was warping him completely-  stealing his very sanity. In Fellowship, after consulting the Palantir, Saruman sits, clutching a book- half crazed, half terrified- communing with Sauron is breaking him. The Orc comes in and then Saruman says, almost fearfully, "We have work to do". In Two Towers, when he sends his Urak Hai to war, his speech is practically genocidal, and quite unhinged ("To WAAAAAAAARRRR!!"). When his end comes in Return of the King, he is wild, wantonly attacking Gandalf, his face a mix of fear, hate, and yes, self-pity. His abuse of Wormtounge has consequences that he never would have dreamed of- stabbed in the back by his stooge. The shock on Lee's face is priceless. The cur has bit the hand of his master.





Meanwhile, his portrayal of Darth Tyranus is very different. In Attack of the Clones, this former Jedi turned Sith is a master of being calm, cool, and collected. His every utterance is of an even tenor, designed to sow confusion as to his true purpose (his whole scene with Obi Wan- what incredible misdirection). Tyranus is in command, no matter the situation, and is seemingly always a few steps ahead of the hapless Jedi. His utter disdain for Obi Wan and Anakin borders on humorous contempt ("Surely you can do better"). His battle with Yoda in AOTC is legendary, with Lee being the coldly evil Sith while Yoda is a whirling dervish of justice. But again, Tyranus plays Yoda, manipulating his emotions (knowing he'll save the Jedi over finishing Tyranus). However, in Revenge of the Sith, the tables are turned, and it was Tyranus who was being played. Lee's face says it all in that final scene- he looks at Palpatine, realizing the betrayal while also, you get the impression that he is also thinking that he should have seen it coming. And his refusal to beg for his life just adds to the character (the story goes that Lucas wanted Tyranus to beg, and Lee said his character wouldn't do that).


Lee was terrific in nearly everything he did, whether its The Wicker Man or Charlie and the Chocolate Factory. He brought a weight (gravitas) to just about every role, and even bad movies were made better by his presence. I certainly haven't seen all his films (well over 200). I know I'll be drawn back to LOTR and SW over the next few days, but maybe I'll try to see one that I haven't seen yet.







Until next time...

Monday, March 2, 2015

Examining a Movie: The Black Hole

Hey there, foul inhabitants of the warp! Old Man Chaos here, very excited by the new Bloodthirster coming out this week- can't wait to get my mitts on him! But first I have to finish the 8 Billion projects I already have going... I have been going through a case of painters OCD, but I should be able to finish a few models fairly soon... At any rate, I said a few weeks ago that I wanted to write posts about things other than my main hobby, so here it is...


Examining a Movie: The Black Hole

The film The Black Hole was released by Disney in 1979. It was Disney's answer to Star Wars' big success (and Trek was having a big screen come back as well that year). However, when the film opened it bombed badly, and was an embarrassment to Disney. It fell into a strange obscurity thereafter- known by die-hard sci-fi fans, but ignored and unknown by everyone else. Even many of those sci-fi fans dislike the movie.

However, I feel this film needs to be re-evaluated on a number of levels. I think its bad reputation is not only NOT deserved, but unfair. This is not just nostalgia, though I did see the movie as a kid. I watched the movie recently with my wife, who had never seen it before. At the end, she said she liked it a great deal. She admitted it had flaws, but was an interesting movie. Now, my wife will tell me if she thinks a movie I get her to watch blows (she has reminded me about how much she hated Watchmen oh so often). She liked this movie, with no rose colored lenses of nostalgia.

I would like to discuss the movie in some categories. Forgive me if I jump around a bit...


Plot: I don't want to give spoliers at this point, so here is the set-up: The movie is set in the future- when is somewhat unclear. We have space travel, though it is risky, dangerous, and, frankly, arduous. We also have robots- they have "personality", but are they "living things" (one of the film's many ambiguities). The crew of the Palomino, led by Captain Dan Holland. Their mission is to explore and find "intelligent life". Without the crew saying so, it seems the universe is pretty empty indeed, and their mission has not been much of a success. At any rate, the Palomino encounters a Black Hole, more powerful than any recorded. They are nearly pulled in, but they escape due to the "aid" of another, almost ghostly ship. Upon scanning, the crew finds it is the USS Cygnus- a huge, behemoth, yet graceful and elegant, ship; one presumed lost in space. Holland and the crew decide to investigate.


On the Cygnus, they find only one man alive, Dr. Hans Reinhardt, commander of the vessel. Reinhardt explains that his ship had been damaged by meteors years ago, and that he had the crew abandon ship (he didn't leave the ship though; Captain is the last man on board deal, going down with the ship), and he didn't know what happened to them. He repaired the ship with the help of his robots. But rather than return home, he stayed in space, exploring the galaxy's mysteries. The one "challenge" that has eluded him is the Black Hole, and he is in the process of unravelling that one too. He is planning to go into the Black Hole, proving science (and his ego) can overcome anything, even the power of a Black Hole.


As the crew deal with Reinhardt, they notice three things. One, he is definitely on the "eccentric" side- is he crazy, or is just that he has been alone for so long that it has made him a bit weird? Two, the Palomino crew realize Reinhardt's story just isn't adding up, for reasons they can't explain. Third, they find that Reinhardt's robots are, well, threatening, to say the least, particularly Maximilian, Reinhardt's own special design. Holland and company have more questions than answers. Then, as the film goes on, Reinhardt begins to reveal his true motives and intentions, which have Holland's crew running for their lives, trying to escape the Cygnus, and the Black Hole. Can they escape? Will Reinhardt accomplish his plans? And just what is the true nature of these robots?


From here, I'm going to get into different aspects of the film. There will be spoilers, so if you don't want spoilage stop here and see the movie... If you haven't seen it, you really should...

 What Went "Wrong" in 1979 (and after): The movie was a box office disaster for Disney, and at first glance, you can see why. This is NOT Star Wars (or Trek). The Black Hole is a complicated movie, part Sci-fi actioner, part mystery, and a whole heaping dose of questioning morality. The film is slow at the beginning, with a hefty amount of exposition. Once the threat is revealed, the movie then kicks into gear, progressing quickly. However, the nature of the threat is rather "dark" and frankly, a little scary- kids certainly would be scared. It is a "dark" film- somber, with some disturbing questions about life in the universe. It does attempt some humor with VINCENT, the robot member of the Palomino, but it is minor at most. So, when sci-fi people went expecting a Disney Star Wars type of film, they got a bleak movie. So, it failed. Further, the film does break some of the basic rules of physics (even my wife snickered at some of the rather implausible space physics). That turned off serious sci-fans too.


But "Wrong" is actually (mostly) "Right": Disney should be respected for taking a risk. They could have made a simple Star Wars clone, but instead they opted for something very different. This wasn't a space epic, it was a morality play. Disney didn't take the easy way out, and it hurt them, though it didn't deserve it. The pacing isn't fully action packed, but it isn't really that type of movie. One needs to "get" that in order to appreciate the film. This movie is examining big ideas, and even uncomfortable ones. Further, though the science/physics are wonky, one must accept it as the price of admission. It might be a bit of a leap of faith, but if you can really suspend your disbelief, you might be able to ignore the "bad" science. If you can, it won't actually matter to the plot of the film.


Special Effects/Music: If there is one area that people can agree on this movie, even the haters, it is that the Special Effects are top notch. The two ships are very well detailed miniatures. The Palomino is a small, but trusty vessel, while the Cygnus is just sweeping and ornate, with a hint of both grandeur and menace. The various robots are mostly cool (some hate VINCENT and BOB, but I get what they were doing here- they are "friendly" robots, so they look "cute", unlike Reinhardt's creations). In particular, the robot Maximilian is just the stuff of absurd nightmare- he is painted devil-red, hulking, fast, but with an odd assortment of weapons.


The interior of the Cygnus is cavernous, but again brilliant and just larger than life- Gothic is a good word for it. Finally, there's the Black Hole itself- omnipresent, in space, always swirling, moving, destroying. The effect will stick with you, as does the entire production design. Plot aside, the LOOK is unique, and no sci-fi film has this look and feel. The score, by John Barry, is equally good- ominous, brooding, and on occasion rousing. The score adds to the feel of the film.



The Plot Thickens: Now, here I want to get into the "twists", turns, and themes. The film is about the human mind- Reinhardt's in particular, but in general as well. Reinhardt is mankind- looking to the stars, blessed by God with intellect. Humanity wants to solve the mysteries of the universe. The NEED to know is great. It may be arrogance that man THINKS he can control science and conquer all, and what happens to man if he does accomplish this?


This is where we find Reinhardt. A brilliant man who believes that "the ends justify the means". He will achieve what none have been able to. He will solve this last great mystery- what lies on the other side of the Black Hole. His genius will make it happen. Unfortunately, he will do ANYTHING to achieve his (noble?) goal. Morality, humanity, God... all irrelevant to Reinhardt's quest. Reinhardt believes that the other side of the Black Hole is a place why the concepts of right and wrong are gone, fundamental laws of nature do not apply, they vanish. And one could live forever there.


As it turns out, the Cygnus' original mission was to find new life- the government spent a fortune building the Cygnus, based on Reinhardt's own singular vision. After a good amount of time exploring space, Earth contacted the Cygnus and ordered Reinhardt to come back, his mission deemed a failure. That was something he could not tolerate, and he refused to obey. His crew mutinied, but he managed to put down the revolt using his "Sentry Robots". However, he was faced with a dilemma- the ship was too large to be run by one man with the rest of the crew locked in the brig. So, bending his intellect to the problem, Reinhardt came to a horrifying conclusion. He decided to lobotomize his crew- basically he destroyed their free will and "programmed" them to continue working on the ship as they had before. Now, they are mute, wraithlike. He dressed them in robes and masks so he wouldn't have to look at their faces- he thought of them as robots, without troubling his mind too much over what he had done. He then turned to his obsession- the Black Hole, without worrying about any one else's needs. He is Niche's "Superman"- nothing can stand in his way of achieving great feats.


Interestingly enough, NONE of his robots speak, not even his greatest creation, Maximilian. Free will troubles Reinhardt. This is why humanity cannot accomplish anything- free will is too troublesome. You need a singular vision- an iron will and steely determination. Get rid of free will, and the "great man" can do anything. Or so it seems to Reinhardt.


However, the film has more to say on that. Religion (or, perhaps, a spirituality) is a major theme in the film. BOB says that intelligent life is the MOST important thing in the universe, and Reinhardt disregards that basic, important rule. Reinhardt himself quotes the Bible at one point. One Palomino crew member, Dr. McCray, has minor ESP abilities (more a psychic spirituality and empathy than anything else, though she can mentally communicate with VINCENT. Is that a huh? Yes, it is odd, yet the theme of Spirituality covers this- VINCENT has free will and is therefore alive). One character calls what lies on the other side of the Black Hole the "mind of God". There is a religious quality at work here that many Space Sci-fi movies lack.


And just to be clear, the theme of religion dominates the film. Reinhardt expresses SOME slight guilt over his deeds, and he IMPLIES that Maximilian is responsible, as if the creation is in control of the creator. Could it be? Or is Reinhardt simply projecting his evil onto his robot? Is Maximilian the DEVIL (as he appears)? Or is he just a physical representation of Reinhardt's Id? The movie gives no answers here. Is there a devil, or are we evil all by ourselves?


The end of the movie just adds to the Spiritualism. The Cygnus is struck by meteors (irony or karma?), and drifts into the Black Hole, breaking apart. Reinhardt has a smaller probe ship, and he intends to fly it into the Black Hole. However, his command center collapses, and he is stuck in the wreckage, surrounded by his lobotomized crew who, thanks to his evil handiwork, can only focus on their tasks running the ship, and thus pay no heed to his cries of pain. Maximilian ignores Reinhardt as well, following his last order to prepare the probe ship. Is Maximilian the devil leaving his pawn Reinhardt behind and discarded, or is the robot simply following its master's last order?


In the end, the surviving Palomino crew members destroy Maximilian and board the probe ship, with no choice but to fly into the Black Hole. Time, space, and matter begin to distort, as the ship plummets faster and faster down the Black Hole. In McCray's (psychic) mind's eye, we then see something bizarre, yet fitting. We see Reinhardt spinning in infinity- alive? How can this be? What the...? His hair has grown long, his beard immense. How long has he been there? Then, when it looks like he will be there forever alone- he sees Maximilian. He grabs hold of his wicked robot. Then, with a quick camera pan, Reinhardt's eyes are WITHIN Maximilian's red visor. Reinhardt is INSIDE his creation, his eyes frantically looking about in abject horror. The robot is then stuck on a rock, immobile, looking down on a field of fire, with the lobotomized crew standing by. It is a rather creepy image, and it just begs the question- is this hell? Is this Reinhardt's punishment for his disregard for morality? And the crew? Did he not only strip away their free will, but also their very souls? Are they damned as well? Intriguing, and uncomfortable.


But then, the hellish scene gives way to a bright corridor, through which a robed figure glides through- Jesus? God? The Human Spirit? With a flash, and without word, the probe ship comes out of the other side of the Black Hole. Ahead of the ship is a planet, bathed in white light. Heaven? Sanctuary? Just an alien world? The film ends here, leaving you to ponder their fate.


Whoa, That Is Weird: Yes, the film is certainly an oddity. And I love it for that. It has big ideas, and isn't afraid to make you think about the darker side of human nature and the technology we have created. The film is anchored by Maximilian Schell and Robert Forster. Schell gives a great performance as Reinhardt. His German accent adds to the character (and the Niche threads). But, he is larger than life, full of grand thoughts and gestures. But he is also warped beyond all repair- knowing the evil he has done, but believing the evil was for a greater goal. The actor evokes awe, sympathy, and disgust in equal measures- which is no small feat.


 Robert Forster, on the other hand, is in many ways the opposite of Reinhardt. He is neither brilliant nor grand. He is, in some respects, an everyman. He is captain, and his responsibility to to protect the lives of his crew. He does have an innate, quiet decency, even when it comes to the robots VINCENT and old BOB, which Reinhardt lacks entirely. It is certainly the less flashy role, but works as a good contrast to the antagonist.  The other cast members are good as well, particularly Anthony Perkins, whose Dr. Durrant admires Reinhardt's brilliance and finds it hard to believe that genius has led to insanity.


This may be the strangest movie review I have written, but it is also a strange movie, so I guess it is fitting. I think any sci-fi fan owes it to themselves to check this film out (Disney, you need to make a special edition on Blu-ray, immediately). You need to put it into the context of the time in which it was made, as well as being able to have a stronger suspension of disbelief than you are used to. If you can do those things, you should watch this film. It is visually interesting, has a good cast, and does make you think.    interestingly, Interstellar recently had somewhat similar questions about Black Holes and human nature, though that film is FAR more upbeat, optimistic, and positive than this older movie.



I give this film 3 out of 4 Marks of Chaos. If you're a space / sci-fi fan, you may want to check this out. 



Until next time!!